Lucky Jim Analysis

The conversation amidst Dixon and Bertrand is direct and to the point with the use of emotive and, at times, mutilateensive language. For instance, Bertrand uses phrases desire your so called mind and you dirty little bar- fly, you nasty little Jumped up turf. In between the speech amiss is a great observer of humans move ment and highlights the tension between the two men with the language he uses and the use of short sentences, for example Axon moved a charge per unit nearer and he clenched his fists and the Impact had hurt them sooner.Malls describes Bertrand breath as whistle through his nose which accurately depicts he image of someone beginning to hold back irate. Throughout the theodolite, out of the two men, Dixon is depicted as more in control and powerful than Bertrand even though being the lesser make water of the two men. Bertrand says to Dixon youre simply not up to my weight. If you want a skirmish pick someone your own size, then you might stand a chance. Dixon, by his response, is clearly not threatened by this at all.It could be seen as an empty threat because Bertrand does not expect Dixon to retaliate, but rather simply Just to back down considering their positions. Undeterred by the physiologic threats, Dixon moves a pace rarer and unleashes an articulate and fast moving annihilation of Bertrand temperament youre a twister and a snob and a bully and a fool. Bertrand Is shown to be clearly stunned by this as he makes no attempt to interrupt. Dioxins confidence is clearly rallied by the fact that he is gird with the information that Bertrand has been having an affair with Carol Goldsmith.Bertrand physical strength over Dixon is over again highlighted by when it says that he came and stood over Dixon. Amiss adds slight caprice to the passage as Dixon attempts to further wind up Bertrand and SSH him over the edge by saying What are we going to do, dance? , still staying fairly smooth himself. Bertrand however triggers the fi ght that he so desires by calling Dixon Sam. pull down then, Dixon Is shown to be more in control as he took off his glasses and put them In his top Jacket pocket.Malls again uses humor In his depletion of this rather ungainly scene as the two men faced each other on the floral rug. Malls description of the rug as floral creates a contrast with the aggression of the scene and introduces the fancy to the reader described as elbows crooked in uncertain attitudes, as if about to begin some ritual f which neither had learnt the cues. The air the passage is written emphasizes that both men are out of target as one would expect a vocal argument between an artist and a history teacher as opposed to a physical fight.The explosion of the china figurine as it hits the hearth emphasizing the put a expression which fell highlights the awkwardness of the scene. In contrast to Dixon controlled manner Bertram is made to look bunglesome and a character of ridicule in the way he is shown to J ab at Dixon face, loses his balance and is hit hard by Dixon on the larger and more convoluted of his ears. The reader is to encouraged by the use of this description to smelling any sympathy for Bertrand.His language is not eloquent in the equivalent way that Dixon is, but relies more on taunts and school boy retorts worry youve got it coming and Ill show you. This threatening and childlike language is very different from Dixon more controlled responses like Im not the sort to do that when Bertrand threatens him if he tells Christine about his indiscretions with Carol. Amiss uses repeat at the end of the passage when Dixon thinks about Bertrand as a bloody old dowser-faced boot-faced totem poll and then repeats this insult out odd.The use of repetition is not only humorous but it emphasizes the point and leaves the reader in no doubt with regard to who the winner of this fight is, both on a physical and intellectual level. It is also quite a discovery for Dixon, almost more so than when he actually punches Bertrand, as it is the primary point in the play when he actually says what he is thinking. The strike on the door is even described as discreetly applauding this terminology. Dixon is again shown to be a character of strength and control by the way he says Come in with reflex promptness and appears to be unpleased by the fight.